Sunday, January 20, 2013

Broken City Review




New York City policemen Billy Taggert (Mark Wahlberg) stands over a deceased hispanic male, gunshot to the young man’s head. Accusations of a murder arise, claiming the presumed criminal was defenseless, the officer shooting him on a basis of revenge where the delinquent got away with raping and beating a 16-year-old girl to death. Though there are supposed witnesses against the officer, there is no undeniable evidence present to support the claim, therefore a relieved officer Taggert walks free, proclaimed innocent.

The main story picks up 7 years later, officer Taggert having resigned from the police force, opting to run his own business as a private eye investigator. Primarily he takes contracts to track husbands or wives to expose their affairs. Unfortunately for him, he has a bevy of clients who do not like to pay him for his services. So, when Mayor Charlie Hostetler (Russell Crowe) reaches out to contract the detective to investigate his wife Cathleen Hostetler (Catherine Zeta-Jones) for what he says he expects is an affair, Billy Taggert is quick to take the contract, which will pay $50,000, $25,000 at the start, $25,000 at the conclusion.
   
The story is very interesting, keeping the attention of viewers. Nothing is really as it seems, leaving one thinking one understands what is happening, then reframing the mind around new threads of the story to adjust to the fact you have just been told you are wrong. The script is well written to carry two seemingly separate, yet closely interwoven story lines. The other half of the story follows an approaching mayoral election between standing mayor Charlie Hostetler and opponent Jack Valliant (Barry Pepper). It is reflective of a true political election race in annoyance and he-said-he-said disagreements. The one thing I would say seems unreal is how each candidate attacks the other, one blatantly calling the other a liar, because political correctness usually does not allow such a thing.




Mark Wahlberg–what can I say about him?–plays Mark Wahlberg, which is not at all a bad thing. Sometimes a casting director sees a role for a specific actor, and when he gets him, you begin to understand why the actor plays a different character similarly to how he played in a past role. But Wahlberg plays well and very believable.
   
Russell Crowe as Mayor Charlie Hostetler is the true star here, in my opinion. He gets all the political gusto right, delivering both lines and gestures like the well trained professionals. This is where the aforementioned annoyance comes in, but it is realistic because I find politicians irritating. Barry Pepper also provides a good imitation of a politician, though he is the one delivering the more unrealistic, non-political correct lines, however, that is more of a scripting issue.
   
Catherine Zeta Jones gets a very small amount of screen time in comparison to the other two mega stars, but she gives a good performance with the time she is given. As a politician’s wife, Cathleen Hostetler is the strong, confident woman so many first ladies are. Zeta-Jones uses a handful of the skills she has acquired and honed over her long career to express emotions and fit the mood of the lines she is saying.
   
Jeffrey Wright, Kyle Chandler, Natalie Martinez, who plays Mark Wahlberg’s onscreen actress aspiring girlfriend, Alona Tal, Griffin Dunne, and James Ransone all give solid and noteworthy  supporting performances.
   
I really enjoyed Broken City, even more so than I thought I would. To anyone remotely interested, and even those skeptical, I recommend it.

Saturday, January 5, 2013

Django Unchained Review




Now, what I am about to say can be taken with a grain of salt, as I have not yet seen Quentin Tarantino’s sizable collection of motion pictures. However, if one sees the dual Kill Bill films at or near the top of the directors’s efforts, then it is safe to say at the very least that Django Unchained is on par with his best work. If you are not a fan of the Uma Thurman revenge flicks, though, it is still good, nonetheless.

The tale starts in the shoes of Dr. King Schultz (Christoph Waltz), a former dentist turned bounty hunter, tracking three brothers, the Brittle brothers. His conundrum is that he has no idea what the three men look like, but he knows who may. Enter Django (Jamie Foxx), a slave recently traded with the aid of the brothers. After this and many other bounties are met, the two having become partners over “a very long and very profitable winter,” set off to buy Django’s wife Broomhilda’s (Kerry Washington) freedom.

A long 2 hours 45 minutes, because it is so interesting, the movie does not begin to feel too long. There is a lot of story told within that span, but it never feels rushed, not even when it moves into montages, nor does it get stagnant, staying too long on one scene.

From the way Christoph Waltz speaks from line-to-line, to the many characters reactions to Django as a free man, to a cameo by Jonah Hill, all the way to Samuel L. Jackson’s role as the proverbial “yes man,” Quentin Tarantino’s humorous side shines brightly through the many events of the script. The funniest scene, in my opinion, comes when a 19th century KKK-like group ride to capture and kill Django and Dr. King Schultz, all the while complaining how they cannot see through their hoods. 

The protagonist Django differs from the typical slave. He has a very basic education, able to read at a very low level. His naive way of seeing the world through newly free eyes adds humor, especially when he gets this very interested “what you talking about, Willis?” look in his eyes. Will Smith was originally eyed for the lead role, however, the second choice Foxx delivers on a level that will surely become a signature role for his lengthy career.

Dr. King Schultz is a character, who, early on, makes it clear his disdain for slavery. An intelligent man, however, he uses the bondage of Django to his advantage, with the promise that he will free the bondsman once the two have accomplished his mission. He is easily my favorite character by far. The combination of his gentlemanly etiquette, contrasted by the violent life of the bounty hunter, forms a unique character, and the most interesting the movie sees.




Some actors are good at playing the good guy, others the bad guy, then there are the few who can do both equally well. Leonardo DiCaprio is that actor for Django Unchained. As Calvin Candie, owner of Candie Land, the fourth largest plantation in the United States of America, he is hospitable to those he wishes to do business with, friendly, if not firm, even with his own slaves, but his bad side is as evil as they come. I am unsure as to whether his performance will warrant an award nomination, much less an award, but given the possibility that it does, no fan or critic will rightly argue against it.

Samuel L. Jackson’s role as Stephen, a slave loyal to the death to Calvin Candie, is another that must be acknowledged. There is not much to say past the first line above, but the way he so convincingly plays this “yes boss” type, is that of an actor who has come close to mastering his craft over his long career. Unlikeable, he provides a number of memorable moments, both in the lines themselves and the delivery.

As an R rated film, mostly rated that way for its violence, though the language is a a close runner-up, there is a ton of blood. From my perspective, the bloodshed hardly becomes unbearable, save one scene I did not have too much fun watching.The scene involves two slaves fighting to the death, as sort of prizefight, in what is referred to as Mandingo fighting, which Django and Dr. Schultz see as a means of getting close to Calvin Candie. Without going into detail of the brutality, it is probably safe to say most will find it disturbing.

After watching Django Unchained, like I heard a few men say, you get the feeling it will become a picture loved for many years to come.

Friday, January 4, 2013

2013 Watch List

Below is a list of 2013's movies I am looking forward to seeing. The list is incomplete, as more trailers will be released and I will add more to my list, or maybe take some away, but here it is for now...

•Friday, January 11th
Gangster Squad (Sean Penn, Ryan Gosling, Emma Stone, Josh Brolin)

•Friday, January 18th
Broken City (Mark Wahlberg, Russell Crowe, Catherine, Zeta-Jones)

•Friday, January 25th
Parker (Jason Statham, Jennifer Lopez, Michae Chiklis)

•Friday, February 1st
Bullet to the Head (Sylvester Stallone, Jason Momoa, Christian Slater)

•Thursday, February 14th
A Good Day to Die Hard (Bruce Willis, Jai Courtney, Mary Elizabeth Winstead)

•Friday, March 8th
Oz: The Great and Powerful (James Franco, Michelle Williams, Rachel Weisz, Mila Kunis)

•Friday, April 19th
Oblivion (Tom Cruise, Morgan Freeman)

•Friday, May 3rd
Iron Man 3 (Robert Downey Jr., Guy Pearce, Gwyneth Paltrow, Don Cheadle)

•Friday, May 10th
The Great Gatsby (Leonardo DiCaprio, Carey Mulligan, Joel Edgerton, Tobey Maquire)

•Friday, May 17th
Star Trek Into Darkness (Chris Pine, Zachary Quinto, Zoë Saldana)

•Friday, May 24th
The Fast and the Furious 6 (Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster)

•Friday, June 7th
After Earth (Will Smith, Jaden Smith)

Now You See Me (Jesse Eisenberg, Mark Ruffalo, Michael Caine, Morgan Freeman, Isla Fisher)

•Friday, June 14th
Man of Steel (Henry Cavill, Russell Crowe, Amy Adams, Michael Shannon, Laurence Fishburne)

•Friday, June 21st
World War Z (Brad Pitt)

Monsters University (Billy Crystal, John Goodman)

•Friday, June 28th
Kick-A** 2 (Aaron Taylor-Johnson, Chloë Grace Moretz, Jim Carrey, Christopher Mintz-Plasse)

•Wednesday, July 3rd
The Lone Ranger (Johnny Depp, Armie Hammer, Tom Wilkinson)

Friday, July 12th
Pacific Rim (Idris Elba, Rinko Kikuchi)

•Friday, July 26
The Wolverine (Hugh Jackman)

•Friday, October 4th
Sin City: A Dame to Kill For (Clive Owen, Jessica Alba, Mickey Rourke, Rosario Dawson)


•Friday, November 8th
Thor: The Dark World (Chris Hemsworth, Natalie Portman)

•Friday, November 22nd
The Hunger Games: Catching Fire (Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth)

•Friday, December 13th
The Hobbit: The Desolation of Smaug (Martin Freeman, Ian McKellen, Richard Armitage, Elijah Wood)

Friday, December 20th
Anchorman: The Legend Continues (Will Ferrell, Christina Applegate, Paul Rudd, Steve Carell)